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I could add others, plenty of other great scores:
THE LUZHIN DEFENSE Alexandre Desplat
FRIDA Elliot Goldenthal
LADIES IN LAVENDER Nigel Hess
SOUS LE SABLE Philippe Rombi
AS YOU LIKE IT Patrick Doyle
IRIS James Horner (his best score post 2000)
GIRL WITH A PEARL EARRING Alexandre Desplat
SPIRITED AWAY Joe Hisaishi
THE VILLAGE James Newton Howard
THE CORPSE BRIDE Danny Elfman
MEMOIRS OF GEISHA John Williams
CAPTAIN SKY AND THE WORLD OF TOMORROW Edward Shearmur
FAR FROM HEAVEN Elmer Bernstein
CATCH ME IF YOU CAN John Williams
RATATOUILLE Michael Giacchino
THE CURIOUS CASE OF BENJAMIN BUTTON Alexandre Desplat
BIRTH Alexandre Desplat
GORMENGHAST Richard Rodney Bennett
WAH-WAH Patrick Doyle
LADY IN THE WATER James Newton Howard
THE MACHINIST Roque Banos
HARRY POTTER AND THE PRISONER OF AZKABAN John Williams
ATONEMENT Dario Marianelli
JOYEUX NOEL Philippe Rombi
LOONEY TUNES: BACK IN ACTION Jerry Goldsmith
ANGELS IN AMERICA Thomas Newman
THE HOURS Philip Glass
LA VIE EN ROSE Christopher Gunning
I love these scores and they certainly please and uplift me as much as any classic scores from the past. I guess there's still plenty of room for creative and interesting music these days.
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Mediocrity knows nothing higher than itself, but talent instantly recognizes genius
- Sir Arthur Conan Doyle
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