HELLBOY - so many great examples of unreleased cues belonging to the best parts of the whole 2 hrs+ score
Not only film version of cues like Father's funeral or the final Kiss of HB and Liz Sherman but also music for Kroenen - whole about 4 minutes long flashback from the museum, opening the portal during prologue of the film, finale when Hellboy gets his horns and opens the portal again, fight between Hellboy and Samaels when Liz saves his ass with those stunning screaching strings is a particular standout. Or some more gentle moments variating Hellboy's secondary theme: Pure of Heart piece (http://lokutusost.ufouni.cz/filmmusic/b ... _Heart.mp3)
or HB's secondary theme's full orchestral treatment at the end of end credits suite, etc, etc, etc...
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FLIGHT OF THE PHOENIX - return from the desert cue that opens with an ethnic flute and then keeps growing when the pilot returns with a missing guy and comes to the rest of the survivors.
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CURSED - great score completely unreleased wouldn't probably count but there is a promo version that also doesn't feature finale version of the love theme from the end of the film.
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DEEP WATER
The cue when the main character goes back to his office at night. It's a beautiful piece that sadly was not included on the promotional CD
I am not sure how to describe part of the film this cues is used in. Also the film is fairly unknown to many so this might be easier http://lokutusost.ufouni.cz/filmmusic/b ... t_Walk.mp3
or also Deep Water cue that start as soon as the first dead body is revelead (shot) and then segue into Sunday driving cue which is also great but pretty far from the opening third of the whole film version. I asked Marco if he had this cue and might post it on his site but he replied he doesn't have any masters for this score
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To go little deeper into past what about the piece in STAR TREK II when Terell commits suicide to have a control over his actions so he wouldn't kill Kirk based on Khan's command?